It’s great if variable fonts can technically be rendered, but it won’t matter unless our favorite software chooses to use the appropriate rendering engine. We need browsers and design software to support the rendering engines. But people who work on rendering engines are in this working group, and collaborating. They also take a long time to develop and test. Rendering engines are incredibly complex. For fonts to actually show up anywhere, software behind the scenes called a rendering engine has to make typesetting and rasterization calculations. We need rendering engines that can show the fonts. But we’ve been there before, with web fonts. Nobody knows yet how to handle the business aspects of variable fonts. Adobe’s early efforts to define the multiple master font format may not have gained traction in the 1990s (it was way ahead of its time), but it certainly influenced type design tools and workflows. Type designers, at least the ones I have spoken with, are all too ready for variable fonts. Our own David Lemon demonstrated this conversion as part of the variable fonts announcement at ATypI, and representatives from all four companies are at ATypI this week to talk with type designers. To encourage this, our multi-company working group sweated every detail of the new OpenType specification, and built tools to help convert existing type families into variable font files. Type designers need to make and offer variable fonts. But it’s going to take some time – and a lot of effort – before this new kind of font becomes something people can design with and readers can read. Given this high-profile collaboration, it seems as if the whole world is moving in unison toward our future with variable fonts. Variable fonts are real, but there’s work to do While earlier font interpolation technologies emerged from the font format wars of the early 1990s, and were developed and championed by individual, competing software companies, OpenType variable fonts are the product of a new collegiality aimed not only at defining a common standard but also interoperable implementations. Get a technical overview and a complete introduction by watching this video of the announcement at ATypI or reading our joint announcement on Medium, penned by John Hudson: To facilitate just such advancements, people from our four companies (along with notable independent contributors) have been collaborating for more than half a year on a significant improvement to the OpenType font file specification that now includes a new technology: OpenType Font Variations, which allows type designers to interpolate a font’s entire glyph set or individual glyphs along up to 64,000 axes of variation (weight, width, etc.), and define specific positions in the design space as named instances (“Bold”, “Condensed”, etc.). This shows one kind of flexibility that variable fonts will enable. Liquide 59.A responsive lettering example, courtesy of Erik van Blokland. The Heart of Everything – Handwritten FontĤ0. Cocotte Typeface Family – Including 2 Free FontsĪ href=””> 35. BOSK – HAND DRAWN BRUSH FONTīosk is handmade brush font from Boris Garic designed for everything vintage and grungy!Ģ3. So take your time and enjoy the process of exploring this wonderful selection of fonts that I have put together just for you!Īcess to a huge libary of design resources from Photoshop brushes to vector resources. There are so many fantastic fonts on this list that I am sure you will find it hard to choose just one. In fact, I encourage you to share your favorite fonts in the comments section below and let me know how you plan on using them in your work. Additionally, I would love to hear your thoughts on the post. Whether you are looking for a trendy display font or a classic serif, this list has it all. I am very confident that you will find something you love here. I spent countless hours curating this collection, making sure to include only the best of the best. Not only are there a wide variety of fonts available for personal projects, but some of them can even be used for commercial purposes! This post is an excellent resource for designers and creatives alike who are searching for some amazing new typefaces to add to their library, free of charge. I am thrilled to present to you a blog post that I consider to be one of my favorites of the year! The post I am referring to highlights the best free fonts that were created throughout the entire year of 2017.
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